Friday, June 1, 2012

A Tease (a few hundred words from my novel in progress)


New York City, 1977

My mother died on a Monday in April.  I was twelve.  The services began on that Thursday; my father had made the arrangements weeks earlier at the doctors’ suggestion.  At least that’s what I remember overhearing.  My father and Mita, my maternal grandmother, argued over the details late into the evening.  My father wanted my mother cremated.  Mita wanted her buried in Saint Raymond’s Cemetery.  My father wanted a closed casket.  Mita wanted it open.  No one asked me what I wanted.

My father came into my room that Thursday morning and handed me a shopping bag.  “Wear this,” he said. 

I took the clothes out of the bag.  Before even trying it on I knew the skirt would be too small in the waist and the shirt sleeves too long, but I didn’t object.  Still in my pajamas, I looked at myself in the mirror.  My small breasts hung pathetically and I wanted to cry. 

My mother had promised to take me shopping.  We were going to make a day out of it, she had said.  First we would have lunch at Tad’s Steakhouse, then head over to Macy’s where I would get fitted for my first bra and pick out a dress for confirmation.  But we never got around to it. 

My father and I walked to the funeral home hand in hand.  The smell of garbage and urine lingered in the air.  There was garbage everywhere; in the streets, spilling out of trash cans and dumpsters; puddles of piss seeping into cracks and corners of buildings and sidewalks.  Buildings and storefront gates covered in graffiti: fat curvy bubble-like letters, hurried skinny scrawls, names crossed out and written over, trails of paint bleeding down brick.  Young women strutted down the streets, their platform heels clopping on the sidewalk like hooves.  Young men leaned against buildings, coaxing their girlfriends to ditch school and hang with them.  With nowhere to go and nothing to do, men sat on milk crates in front of the bodegas watching the world go by.  I clutched my father’s hand tighter.  These men had looked at my mother when she passed – whispering under their breath, blowing kisses in the air. 

The piragua man was already out.  He whipped the towel off the block of ice and began scraping rhythmically as if he was playing a guido.  If I were walking with my mother, she would have asked if I wanted one.  I waited for my father to ask, but he didn’t.  Didn’t even notice the man was there. 

We stopped in front of the funeral home.  My father looked down at me.  I wiped away the tears with my sleeve.  He pulled out his handkerchief – monogrammed “JlS” – an engagement gift from my mother.  It smelled of detergent. 

“Take this Isabel.  Are you ready?”  He pulled out a small bottle from his breast pocket; eyes shut he clenched the bottle and gulped.

I nodded as my father roughly wiped his mouth. 

Inside my stomach churned from the sweet stink of flowers: carnations, roses, tulips, dandelions, and orchids.  Didn’t these people know that my mother loved tiger lilies?  My mother had believed flowers were a waste of money, but if you were going to buy flowers, I thought, at least get what she liked. 

I was surprised that we weren’t the first to arrive.  The room was filled with people.  It made me feel happy and proud knowing that my mother was so loved.  I knew most of the people in the room: my parents’ coworkers, the nurses from the hospital, our neighbors, even Mrs. Kaplan, my teacher, and Mr. Gardner, my principal.  The only seats that were empty were in the first row.  The room filled with whispers, nervous laughter, choked back tears —friends and family all gave me the same sympathetic look, a tilted shake of the head and weak smile, patting me on the shoulder as I passed.

Mita was surrounded by a few of her neighbors and friends from church.  When she saw me and my father, she quickly dabbed at her eyes and slipped on the glasses that hung by a chain around her neck.  But even behind Mita’s black-rimmed glasses, I still noticed her eyes were puffy and red.  She was wearing a shapeless black dress and black patent leather pumps.  Her purse dangled from her wrist.  Like a faded beauty queen, she cradled a bouquet of flowers – tiger lilies.

Wednesday, August 24, 2011

Thinking of Vieques



La Capilla Ecuménica, Vieques February 2005

(photos by Joseph Cheo Fontanez)


These are two of my favorite photos taken by my husband.  I remember walking into the church and just feeling so many emotions: anger, sadness, guilt, disbelief.  And strangely - inspiration.  It was the moment I knew what to write.  The second the idea for my novel was born.  My novel remains unfinished, I look at it every now and then.  I'll make revisions.  Write a chapter.  Put it down.  Think.  A chapter excerpt even received honorable mention in a literary contest.  Still, it has not inspired me to finish what begun six years ago.  But I know I will return to it.  I also know that I will have to return to Vieques.  Maybe that's where the true inspiration lies.         


Monday, August 22, 2011

Where I'm From

I am from places that matter to no one and from names that mean nothing. 

I am from a red brick house boxed like a milk carton; sometimes sweet, sometimes sour; a home with warm kitchens, empty living rooms and cold bedrooms.  

I am from floors you can eat off of.  And mouths spewing filth.

I am from streets once flanked with Elms
"Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable."

I am from hands that heal and words that hurt.

I am from "If only you lived up to your potential" and "never good enough."

I am from saints and sinners; the faithful and fearless.  Where confessions are not forgotten, because forgiveness does not exist. 


I am from arroz con gandules, arroz con pollo and arroz con habichuelas rosadas y salchichas - poor man's meals to keep a family full.

I am from a language I cannot speak but whose words I understand.

I am from reflections I can't stand to see and images I may never stand up to. 

I am from rough hands, tough love, good food and sharp tongues.  

I am from:
"I did not raise you to be a ____." 
"You are just like your ____."
and   "¡Qué jodienda coño!" 

I am from capias and Woolworth family photos.  I am from both parents but my father was hardly around.

I am from a small family with too many relatives.  

I am from friends who've replaced family.

I am from names I should have never been called. 

I am from poverty and prosperity.  I am from places to be ashamed and from people I am proud of. 
 
I am from contradictions and cliches. 

I am from everything I was never meant to be.  



While I would love to take original credit for this, I "pinched" this "Where I'm From" concept from one of my favorite bloggeras, Unknown Mami who was inspired by someone else.  The original post and template can be found HERE.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable.

~ William Butler Yeats  (1865~1939)
 
from My House ("Mediations in the Time of Civil War")

Sunday, July 31, 2011

Sanctity in the City

I remember going to Central Park as a child with my brother and Mami.  She would pack ham sandwiches and wrap cold cans of ginger ale in foil.  We spent the afternoons running around the playgrounds and climbing trees.  Mami would also bring plastic bags for each of us. 


"A game," she called it.  Whoever collects the most cans wins.  There was never a monetary prize of course, just the promise Mami's affection. 


We ran around the park, my brother and I, collecting cans - picking them off the ground and off the tops of garbage bins.  We were explorers, my brother and I.  We played instead of fought.  And my mother was free from the household responsibilities.  We breathed the fresh air on those afternoons, we all laughed.  We were all happier, better versions of ourselves. 


By the time, I was 12, the Park was no longer fun and I knew to be ashamed of walking through the Park collecting cans.  But for years Mami continued to ask my brother and I to join her for a walk in the Park; and we would always refuse.  And Mami would go alone with my younger sister and she had no one to explore with.


I've worked across the street from the Park for the last 6 years.  And it's only now that I understand why an afternoon in the Park meant so much to Mami.  My life as a mother and wife, employee and student is so overwhelming at times that I feel suffocated, it's very easy to forget about your own needs when so many depend on you. 

I find myself walking through the Park across town to the 77th Street train station.  I need that time gather my thoughts.

Even with the musicians and  artists and photographers and tourists and cyclists and horses and dogs and children - there is a quiet in the chaos.  I walk slowly under the canopy of trees, I stop at something that catches my eye, or to listen to a musician playing.  I let myself just sit down on a park bench.  I allow myself to take my time.  To be alone - and to savor that brief moment of solitude.  I indulge myself in moments of clarity and awareness.  I am not a religious person.  But I find myself asking for guidance.  I forgive myself.  And I take a moment to accept and appreciate the person I've become.

Friday, July 29, 2011

The Girl with the Glasses and Me*

*Inspired by Borges and I  (Jorge Luis Borges)

I’ve known her for quite some time – The Girl with the Glasses.  Her name is Lisa.  We met when I was ten years old; the day she put on her first pair of glasses.  They were big and round, the frame clear plastic with a thin swirl of red.  It is unclear whether or not she actually needed glasses.  But since her brother was getting a pair, she wanted them too. In retrospect, she should have thought about this before botching the eye exam. Glasses and braces with a side of preteen acne was the formula for adolescent angst.

Once The Girl with the Glasses asked, “Mami, why Lisa?”  

To which her Mami replied, “It’s short and easy to spell.” 

But Lisa hated her name.  She went to school with girls who had exotic names like Esperanza, Adriana, Yesinia or Jasmine.  Names that could be shortened to cute nick names.  

Lisa was the kind of name for an ordinary girl, a name that needed an adjective attached.  She attended a small Catholic school where for eight blissful years she was the only one.  Nonetheless, she was still referred to as “Lisa Pizza,” which was stupid because it really didn’t even rhyme.

In high school, however, there were seven girls named Lisa. There was “Lisa la Loca,” “Fat ass Lisa,” “Squeaky Lisa,” “Green eyes Lisa,” “Buck Tooth Lisa,” and “’Juan Pinga’s’ Lisa” who eventually became “Pregnant Lisa.”  There were at least three more Lisa’s in our class, but only seven worth mentioning.  While Lisa felt honored to be among them, she could do without the adjective tied to her name.  This was before the glasses became part of her persona. 

And then there was me: Black hair Lisa.

In our twenties, when we worked at the Clinique counter at Macys Herald Square there were three Lisa’s and a Letza.  Considering we worked on commission, we had to be very clear about who we were in order to get the sale.  There was “Blond Lisa,” “Lisa with the Glasses” and me: Black hair Lisa.  Letza didn’t really count. 

The Girl with the Glasses and me became friends.  When the two of us went out, my role was to be her eyes.  Once she heard a saying: guys don’t make passes at girls who wear glasses.  So when we went out, she took them off and tucked them into her purse. 

I asked her why she didn’t wear contacts.  She said, “I need my glasses.  They make me look smarter.”  I wanted to laugh but she said it so seriously that I could do nothing but agree.

So there we’d be, out at a club.  And she’d smile blindly at men in dark corners.  The Girl with the Glasses would turn to me and ask, “Is he looking this way?  Is he cute?”  But her questions annoyed me and over the music I would yell, “Coño!  Just put on your fucking glasses!

The Girl with the Glasses usually did what I told her to do.  But as men approached, they asked her to take off her glasses.  She should have resented these men and their requests.  Removing ones glasses as a prerequisite was like being asked to take off ones clothes. 

You’re so much prettier without your glasses.  You shouldn’t wear them.” 

She giggled and beeper numbers were exchanged.  And on her ample hip, of course, was a clear pink Lisa Beeper.  And I rolled my eyes and thought to myself, “Pendeja…he likes his girls blind.

Now we are in our thirties – on the cusp of midlife. The Girl with the Glasses is a woman, who still refers to herself as a girl.  A girlish woman who writes with pink pencils and carries a Wonder Woman folder.  On her shoulder is always a large tote bag, sometimes two – to hold her books, school work, other paper work, makeup and insecurity.  

The Girl with the Glasses either looks like a crabby bitch with one brow cocked or a scattered disheveled mess.  She has long accepted her name, understanding that in the age of unusual names, her name is classic not ordinary.  Though I know she waits for the day when someone will ask, “Do you know Lisa - the writer?”

And on the rare occasion when she wears contacts, you can see her pushing up her phantom glasses.